James Rizzi - Heavy Traffic - Sold
This item has been sold Show item
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- Description
- James Rizzi (1950-2011)
| Type of artwork | Prints (signed) |
| Year | 1995 |
| Technique | Lithograph |
| Support | Handmade Paper |
| Framed | Framed |
| Dimensions | 22 x 30 cm (h x w) |
| Incl. frame | 45 x 52 cm (h x w) |
| Signed | Hand signed |
| Edition | 350 |
Translated with Google Translate. Original text show .
Beautiful work by James Rizzi of the traffic chaos that life in the city often entails. Shown in its recognizable manner.
It's probably the traffic chaos in New York. Rizzi's birthplace and the city by which he was often inspired.
It is a 3-D lithography. The cars are visible on the paper as a background, but they are also cut out and placed floating on the work with pieces of foam rubber. This method has created a 3-D effect.
It's probably the traffic chaos in New York. Rizzi's birthplace and the city by which he was often inspired.
It is a 3-D lithography. The cars are visible on the paper as a background, but they are also cut out and placed floating on the work with pieces of foam rubber. This method has created a 3-D effect.
| Condition | |
| Condition | Mint condition |
| Shipment | |
| Pick up | The work can be picked up on location. As a buyer you must bring your own packaging materials. The location is: Sneek, The Netherlands |
| courier-service | If you are unable to collect a work yourself, you can engage a courier service to have the work collected. Click here for more information about how this works and view the rates. |
| Shipment | Due to its size or fragility, it is not possible to send this item via regular mail |
| Guarantee | |
| Guarantee | By putting the item up for auction, I agree with the Terms of Guarantee as they are applicable at Kunstveiling regarding the accuracy of the description of the item |
The seller takes full responsibility for this item. Kunstveiling only provides the platform to facilitate this transaction, which has to be settled directly with the seller. More information .
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